fbpx

Tag Archives: Vision Ears

Vision Ears VE7: The Control Room – A Custom In-Ear Monitor Review

DISCLAIMER: Vision Ears provided me with the VE7 in return for my honest opinion. I am not personally affiliated with the company in any way, nor do I receive any monetary rewards for a positive evaluation. I’d like to thank Vision Ears for their kindness and support. The review is as follows.

Vision Ears is a name many in the industry associate with craftsmanship, precision and finesse, and that’s rightly so. The German brand have consistently produced monitors that look and feel as lavish as they sound, and it’s garnered them a great deal of praise throughout the community. We recently covered their 6-driver EVE20, which, among a sea of hybrid designs and alien driver tech, made the best of balanced armatures through sheer tuning. And, today, Vision Ears aim to repeat that feat with their new VE7: An all-BA, 7-driver IEM that shines solely through coherence, balance and technique.

Vision Ears VE7

  • Driver count: Seven balanced-armature drivers
  • Impedance: 12Ω @ 1kHz
  • Sensitivity: 116dB @ 1mW @ 1kHz
  • Key feature(s) (if any): N/A
  • Available form factor(s): Universal and custom acrylic IEMs
  • Price: €1850
  • Website: www.vision-ears.de

Packaging and Accessories

As far as unboxings go, the VE7’s is as classy and clean as always. Since I last reviewed one of their non-flagship customs, VE have actually updated the packaging to now include this black, cardboard enclosure. It does make the package look a lot more premium, especially with all its details throughout. The metallic VE print on top actually has a holographic effect to it, which glimmers green when hit with light. And, the glossy VE pattern on the side pops stunningly against the matte-black too, while remaining subtle and sleek all the while. As usual, packaging is one instant masterclass from Vision Ears.

The box opens via a magnetic latch, where you’ll continue to find tiny details like Handcrafted in Cologne and a drawing of the cityscape in gloss-black on the inside of the lid; again, gorgeous touches that’ll add to the unboxing. Moving onto the contents, you’ll see a signed, personalised greeting card from Vision Ears thanking you for your purchase. Then, beneath it is the VE7’s included case, as well as a bottle of VE’s cleaning solution. It’s all supported by plain cardboard. Foam likely would’ve looked and felt better for me here. But, in the end, it isn’t necessary, given the padding already inside that case.

This VE7’s metallic case is incredibly rigid, as it always is. And, it’s roomier than your usual puck cases are too, which will allow it to carry the accessories we’ll list later on. VE have actually omitted the metallic clasp and equipped this case with a magnetic sealing system instead. I think either will hold up perfectly well. The finishing on this case isn’t the cleanest in the world, though. The paint job isn’t flawless, and there are a couple glue marks here and there too. But, considering it’s a case that’s going to suffer lots of wear-and-tear anyway, they’re negligible flaws to me. Finally, while mine here is blank, you’re free to engrave whatever artwork you want on your case when you get your VE7. It’s what I did for my VE6XC, and you could even request complex graphics like comic book or manga spreads, which VE have previously done in the past.

The accessories inside the case include the following:

1x VE sticker
1x VE badge
1x 1/4” adapter
1x microfibre cloth
2x sets of desiccant
1x instruction manual
1x in-ear cleaning tool
1x leather carrying pouch

To me, this is about as complete as an accessory set can truly get. VE, as usual, go above-and-beyond for the extras, and they include tons here that a lot of brands should really learn from. I particularly appreciate how well-illustrated and in-depth the manual is, and I love the look and feel of this pouch too. The fact that it seals with a magnetic clasp is a bonus. All in all, VE aced packaging and accessories like they always have, and I’d love to see more efforts like this industry-wide.

Customisation, Build and Fit

Vision Ears make customisation a breeze with the their online configurator. It’s in the style of Custom Art or Empire Ears’ designers, which utilise 2D renders, rather than 3D models like JH Audio’s widget, or real-life photography like 64 Audio’s tool. But, it should nevertheless give you a very good representation if what your IEMs will eventually look like. And, they let you upload your own custom artwork onto their previews too. In terms of options, Vision Ears offer quite a selection:

16 transparent shells and faceplates
14 wood faceplates
15 sparkle faceplates
22 special faceplates (which include abalones, carbon fibres, pearls, etc.)
14 mirror faceplates
5 premium faceplates (which includes the VE7’s signature Fire Blaze design)

Beyond those options, you can then engrave your own artwork in an array of colours or add one of Vision Ears’ metallic logos, which come in 5 different shades as well. For my unit, Vision Ears applied this VE7’s signature design, which you’ll see on all the VE7’s universals. I personally love the look a ton. The contrasts between all the oranges, blues and greens are incredibly exciting, and the holography of the faceplate is striking too. To me, the one let-down here is the Fire Blaze faceplate comes at an extra €65-per-side for the custom VE7. It’s meant to be its signature faceplate, so I would’ve loved to see it offered as a free bonus. But, at the same time, it’s a material that likely isn’t cheap on VE’s part, so it is what it is.

The exact same moulds used to build my VE6XC and my ELYSIUM were used to build my VE7, so the fit on this CIEM is as superb as always. The canals on them are also trimmed slightly shorter, which feels more comfortable to me. Vision Ears tend to trim their customs a bit sleeker, so they aren’t as bulky as, say, 64 Audio or JH Audio’s CIEMs, which tend to press outward slightly. These more so just fill your ears, but they do so very smoothly, and very precisely too. In terms of build, Vision Ears, again, continue their flawless streak. The faceplates seal seamlessly, and everything from 2-pin connector to canal is machined just as precisely. Then, finally, lacquerwork on them is perfect too; not a rough edge or blotch in sight.

The post Vision Ears VE7: The Control Room – A Custom In-Ear Monitor Review first appeared on The Headphone List.

Vision Ears EVE20: Thunderbolt and Lightning – An In-Ear Monitor Review

DISCLAIMER: Vision Ears provided me with the EVE20 in return for my honest opinion. I am not personally affiliated with the company in any way, nor do I receive any monetary rewards for a positive evaluation. I’d like to thank Vision Ears for their kindness and support. The review is as follows.

Vision Ears produce some of the most coveted in-ear monitors in the industry, desired equally for their superlative build, their evocative aesthetics, their lavish packaging and their precise, yet musical tunings. Recently, they’ve taken the world by storm with the release of their flagship ELYSIUM and Erlkonig. And, they’ve shown no signs of stopping since. In 2020, Vision Ears started the EVE initiative: A series of limited-edition monitors that’ll be refreshed with a new entry every year. We previewed its debutant back in April. And, now, here’s the full review of Vision Ears’ EVE20: A firecracker with finesse.

Vision Ears EVE20

  • Driver count: Six balanced-armature drivers
  • Impedance: 25Ω @ 1kHz
  • Sensitivity: 120.5dB @ 1mW @ 1kHz
  • Key feature(s) (if any): N/A
  • Available form factor(s): Universal acrylic IEMs
  • Price: €1300
  • Website: www.vision-ears.de

About EVE

The idea behind Exclusive Vision Ears is annual concept pieces that Vision Ears will release in limited quantities. These are completely separate from their mainstay monitors, and will essentially be their avenue for experimentation; irrespective of any pre-determined price hierarchies, driver configs or house sounds. Following this 6-driver EVE20 could be a 2-driver EVE21, for example. And, despite the EVE20’s pretty modest look, Vision Ears also plan to “explore the boundaries of visual design” with the program as well, which – if you’re familiar with their repertoire – is very, very exciting news to hear. All in all, it looks to be a project filled with potential, that’ll hopefully bring some welcome unpredictability to the market today.

Packaging and Accessories

As per usual, Vision Ears have decked out the EVE20’s packaging with a ton of different nuances and textures. You’ve got the matte-grey outermost sleeve topped with a web of gloss-black lines cutting through it; a great show of contrast. And, topping it off is an EVE emblem in metallic-purple. The box inside is wrapped in a weaved, carbon-fibre-inspired material, which is then finished with more accents of purple on top and along its sides. This box folds opens with a magnetic latch, which only further boosts that clean, classy aesthetic. Presentation is A+ from VE yet again. Now, let us take a look inside.

Lifting the lid open, you’ll find the EVE20 in its puck case, embedded in foam. And, next to it is an envelope, which houses the IEM’s signed warranty card, a pretty substantial instruction manual and a letter congratulating you for your purchase. Also in this envelope is a microfibre cloth and three sets of replacement mesh filters. The latter’s packaging also acts as a guide – illustrations and all – for replacing the mesh filters, which I think is a keen touch. Returning to the box, below this envelope, you’ll get a cleaning tool, a 1/4” adapter and VE’s cleaning spray; all embedded in foam too. As far as accessory sets go, I have zero complaints. Again, presentation is VE’s game to play, and I’m glad to see they haven’t slipped an inch.

Again, you’ll find the EVE20’s tucked away in its round, metal case. And, you’ll find a pack of SpinFit tips in small, medium and large sizes there as well. As with their other monitors, VE have attached a velcro cable tie to this EVE20’s stock cable; an inclusion that I feel needs to be more common in the industry. Next, you get a small dry pack for moisture too. Lastly, this case is a similar metal puck to the ones brands like Empire, Jomo or JH Audio pack with their in-ears. It isn’t the most exclusive or lavish case in the world, but it’s still quality nonetheless. I’m not ruling out something fancier with the EVE21.

Build and Wearing Comfort

Vision Ears have gone with a pretty modest, yet brave look for the EVE20. Its design is made-up solely of two translucent colours; no fancy swirls, foils, glitters or woods. But, the two colours they’ve chosen are rather unconventional: A vibrant wine-red and a light olive-green. It’s a combination that screams the word “apple” to me, and I personally love the blend, especially with its metal emblems inlaid on top. Obviously, however, looks are very subjective, so your mileage may vary.

What isn’t subjective, though, is how cleanly VE’s team have executed this design. Both colours are perfectly transparent, allowing you a pristine view at this in-ear’s tidily-arranged internals. Symmetry between the left and right sides are about as close as they could possibly be. The whole piece – from faceplate to nozzle – is contoured gorgeously; marble-smooth all around with neither a jagged edge nor an odd bump. And, its faceplates are fused perfectly to the shells as well; not a single glue mark in sight. Finally, kudos to VE for machining a groove on the nozzle to keep tips in place. It’s a feature I’ve always found odd to omit, and I’m glad to see this extra measure. I won’t have to dig tips out of my ears after each listen.

Fit-wise, the EVE20’s have a fairly unique shape. Rather than the shorter, wider silhouette that multi-armature universals tend to have, these in-ears are quite thin and tall. As a result, they can sit pretty low-profile in the ear; almost like a CIEM would. But, I feel you’ll only be able to take full advantage of this shape if you have naturally-tall canals. I personally have a taller canal in my left ear, so it fits brilliantly there. Whereas, on my right ear, I feel light pressure pushing on the top of my canal, so I have to push them out a tad, such that the top of the monitor hangs out. It does not affect isolation or the security of the fit at all. So, even if you do have shorter canals, you’d probably be able to finagle them into a comfortable position. Still, though, those with smaller or shorter canals should keep that in mind if they’re concerned about comfort.

The advantage to this taller design is that the IEM locks into your ear very securely. So, that extra concha bump I usually ask for from universals isn’t needed here. And, this is an easier design to store away as well, due to the smaller footprint.

The post Vision Ears EVE20: Thunderbolt and Lightning – An In-Ear Monitor Review first appeared on The Headphone List.

Vision Ears Elysium: There Can Be Only One

Disclaimer: Vision Ears loaned me a universal version of Elysium for the purposes of this review.

Vision Ears’ Elysium is truly unique among IEMs, a fellow reviewer told me “Nothing sounds like the Elysium”, I agree with his statement.  Elysium features a single balanced armature driver for the lows, a single dynamic driver for the highs and two electrostatic drivers for the highs configured in a 3-way crossover.  Vision Ears spent over a year developing their dynamic driver chamber, they call this new technology HALC (High precision acoustic leveling chamber), it’s a specially tuned chamber that acts as an acoustic filter for the dynamic driver.  Due to HALC Elysium’s mid-range features a new level of realism/transparency due to it’s perfect timbre, tonal accuracy and a rich wetness that only the HALC chamber can create.

I will be reviewing the Elysium with it’s stock cable and the Chord Hugo 2 for an accurate and balanced take on what the Elysium can do.  The Hugo2 has a neutral tone and extremely high resolution, allowing me to hear all the technical capabilities of Elysium without coloring the sound unnaturally.  The cable is 8 wire SPC 28AWG terminated in 2.5mm so you will need purchase an adapter if you intend to use 3.5mm as one is not included.

This image has an empty alt attribute; its file name is 6-1024x768.jpeg

Open the magnetically sealed box and the Elysium will slowly rise up to greet you, by far the most impressive packaging I’ve ever seen.

Signature Analysis

Tuning/Signature:  Elysium has a dead silent noise floor combined with massive dynamic range.  Rich notes and industry leading timbre create a stunning sonic attack in which notes burst onto the scene with crystalline clarity and true to life tone.  Images command authority on a tall, deep spacious and airy stage.  Elysium is neutral-warm with a slight sub bass lift, the lower mid-range is full-bodied but high mids are more centric to the signature.  Bass heads who want slam and rumble should look elsewhere while audiophiles who appreciate a sub bass that reaches deep in tone with moderate impact will be happy with Elysium.  Highs are fatigue free, airy, velvety smooth and exceptionally clear.  The mid-range is the best I’ve ever heard and is the overall masterstroke of Elysium.  The timbre of Elysium combined with its tonal accuracy and technical capabilities make it a truly special listen.  Nothing I’ve heard has been able to replicate the wet, vibrant life like sound of Elysium.  With Elysium you’re in for a fatigue free, easy listening, technical yet emotive sound.  Keywords: Holographic, transparent: perfect timbre and tone, crystalline clarity, warm-neutral, balanced, airy, dynamic, musical/effortless, vibrant, seamless coherency.

High Frequencies(6k and above):  Elysium’s treble presentation is top shelf, with sparkle and lots of headroom.  The electrostatic driver provides crystalline clarity, illumination, spaciousness and it increases stage clarity/separation with its’ pin point precision.  High frequency induced fatigue should never be an issue with Elysium, it’s incredibly easy to listen to for hours or even the whole day.  I can’t imagine a treble head not getting enough with Elysium but I suppose it’s possible.  This is a silky smooth yet high resolution treble presentation with good note density/size and a dip around 6k.  Resolution is high due to the bump around 7-8khz, Elysium was never fatiguing for me, quite the opposite its as one of the easiest-listening monitors I’ve ever heard yet it never sounded dark or veiled.   Keywords: Crystalline, airy, smooth, slightly attenuated extension, relaxed, airy, sparkle, high resolution.

Craftsmanship is what one would expect at the top of the market.

High Mid-range Frequencies(1k-2k): Vision Ears took a unique approach to the highs by using dual electrostatic drivers. Elysium features a steady rise from the high mid-range to the high frequencies.  This rise adds vibrancy to the sound, notes burst onto the scene when cast against Elysiums’ silent noise floor.  This gives more weight to the high mids as opposed to the low mids, creating heaps of texture and clarity.  There’s no harshness in the upper mid-range and notes have solid body and presence in the stage.  Keywords: Vibrant, slightly favored over lower mid-range, high resolution texture, clarity.

Mid-range Frequencies(500 to 2000Hz):  Vision Ears chose to use a dynamic driver for the mid-range, a driver that they spent over a year tuning to perfection.  They went through dozens of prototypes to achieve the HALC dynamic driver technology you will hear in Elysium.  The mid-range is rich, wet, highly textured, highly resolved and detailed while being incredibly transparent and smooth(non-clinical).  The most striking feature to the mid-range is it’s true to life quality, it’s a quality that I’ve never heard before.  The mid-range is positioned neutrally in the stage yet vocals can often sound intimate.  Overall the mid-range is neutral-warm.  Keywords:  Lifelike timbre and tone, intimate vocals, impactful, rich, transparent, vibrant.

Bass(60 to 250Hz):  Elysium’s mid-bass has moderate quantity, quick impact, decay is good but never creates congestion Elysium maintains great separation and air while tonal extension is deep.  There’s enough looseness to provide good weight and density.  Harmonics and reverberations interplay nicely and maintain the crystalline clarity Elysium I known for.  Strings, kickdrums and vocals have impressive presence and image size.  Down-tuned guitars have solid heft.  Keywords: Moderate quantity, fast, tight, clear, high resolution texture, rich.

Note the array of drivers: dual Sonion Electrostatic drivers, a balanced armature for the lows and a unique dynamic driver technology for the mid-range.

Sub-bass(60Hz and below):  Vision Ears chose to go with a balanced armature for the sub bass, they tuned it with top tier tonal extension, it’s fast, tight and impactful creates a very un-congested sound.  Those looking for slam or thundering rumble may find the overall quantity insufficient.  Sub bass is favored over mid-bass with regard to quantity which is to my tuning preference.  Pleasing and natural sounding harmonics create a satisfying decay.  While the tuning affords a cleaner presentation it does so while maintaining excellent note density.  Tip selection will be critical in achieving the desired sub bass quantity or step up the custom version of Elysium which should get you a little more bass presence.  Keywords: Slightly boosted, deep tonal extension, high resolution, clarity, moderate quantity, high resolution texture.

Technical Analysis

Stage:  The first thing you’ll notice about Elysium’s stage is its’ unique dimensions.  Elysium emphasizes vertical height/depth while still maintaining good width.  I’ve heard the word holographic thrown around a lot on audiophile circles, the Elysium’s stage is very holographic.  Images are massive with great air, clarity and separation.  Elysium is a chameleon in the sense that it can be intimate yet expansive, vocals are often intimate yet the overall sense of the sound is one of space and air.  Keywords: True holographic stage, exceptional layering and separation, uncongested, large headroom, tall and deep, moderate width.

Resolution:  There are a combination of elements that mix to create the Elysium’s unique take on a high resolution sound.  Elysium’s resolution is achieved in a large part through its’ use of separation combined with massive spaciousness/air as well as the commanding attack and solidity of each note.  It’s not resolution in the sense of being clinical but in the sense of each note having all the space it needs to fully bloom, have solid presence and good decay.  The high mids shine down and provide texture as well.  Never did I find myself wanting more detail.  Elysium is a monitor you can get lost in, for hours enveloped in its’ pleasing glow.  It’s easy to crank the volume up with Elysium due to its’ smooth natural sound and when doing so it only gets better.  Keywords: Warm-neutral presentation of detail, good resolution, musical, uncongested, non-clinical.

The stock cable is a fantastic pairing with Elysium. The included leather case is sturdy and refined.

Imaging:  Elysium creates massive images, some of the largest and most impactful I’ve heard.  There’s exceptional separation between images.  Everything just sounds larger, dynamic, vibrant and alive.  Images are three dimensionally coherent, large, impactful, radiant, detailed and holographic.  These combined attributes give them a sense of weight and solidity in stage.  Keywords: Huge images, radiant, solid/grounded images, holographic, airy with great separation.

Timbre/Transparency:  Elysium’s timbre is the first thing you’ll notice about it, that incredibly realistic sound with perfect natural tonality due to the HALC technology.  This is industry leading timbre.  Ever so slightly pulling back from the highest highs contributes to the realistic non-clinical sound.  Elysium possesses the best transparency of any monitor I’ve ever heard.  What makes it so spectacular is the incredible realism created from the combination of perfect timber and tone.  Attack and decay is true-to-life and most apparent with cymbals wherein they burst onto the scene but dissolve naturally and realistically.  Elysium simply disappears and nothing but the music remains.  In my opinion, there is no limit to how long you can listen to Elysium as it’s so smooth and natural.  Keywords: Unparalleled transparency, timbre and tonal accuracy.

Coherency:  Coherency is becoming increasingly important as manufacturers are now incorporating multiple disjointed audio technologies in their monitors.  Elysium has seamless coherency, I tried very hard to discern any disjointedness in Elysium, I found none.  Vision ears have achieved perfect coherency.  Keywords: Perfect coherency, seamless high-fidelity sound.

Drive-ability: While it is true that Elysium can be driven by any device, Elysium is one of the most scalable IEMs I’ve heard to date. You want something with a lot of power for the dual electrostatic drivers. I used a Chord Hugo for this review but did find Elysium to sound slightly darker and less crystalline with inferior sources such as my Macbook Pro or my Samsung Note 10+. Elysium only gets better when you turn up the volume and give it the juice it needs.

Comparisons: Elysium vs A18t: A18t has a higher resolution sound while Elysium counters with superior clarity and air compared to A18t’s slightly darker sound. A18t will satisfy bass heads with it’s powerful bass, Elysium counters with a cleaner but less impactful bass. Vocals are more intimate and life-like with the Vision Ears offering. The timbre and tone of Elysium is what set’s it apart from A18t and frankly all other monitors, it has a sense of tonal accuracy, naturalness and attack that is truly unique. A18t has a much wider stage while Elysium counters with a taller and deeper stage. Elysium has larger images, they’re more radiant, three dimensionally coherent, impactful and holographic. The ability to fine tune the sound of A18t with a number of modules from both 64 Audio and Fir Audio is very appealing and is a trick Elysium can’t replicate. Both are exceptional monitors and deserve a place in any serious audiophile’s collection.

Final Thoughts:  When I heard other reviewers talking about the unique properties of the Elysium, I knew I had to review it.  There have been a few monitors that have burned their sound into my brain and I can’t forget them, Elysium is now one of those monitors.  

Does Elysium do everything perfect? No, bass heads may miss their slam and rumble but what Elysium offers is a perfect timber/tone, musical, clean, vibrant and spacious sound that is very hard to put down and not available anywhere else given the unique HALC chamber. Make sure you have a powerful source to drive Elysium. I appreciate Vision Ears giving me this opportunity, I look forward to one day owning a custom version.

The post Vision Ears Elysium: There Can Be Only One first appeared on The Headphone List.

Vision Ears EVE20 – First Contact

The Vision Ears EVE20 is a 6 BA driver universal IEM and marks the launch of the company’s new Exclusive Vision Ears new product line. It is priced at €1300, (incl. 19% German VAT). Disclaimer: The Vision Ears EVE20 sent to us is a sample in exchange for our honest opinion in this introductory feature. […]

Select your currency