What ignited your interest in high-end audio? Did it come from the music side or the electronics side?
I come from a musical family, so that was the spark, but as I got more involved in music, I became more and more fascinated with sound and eventually the physics of sound. Sound has always been a means to enjoy the art of music, but I do admit that it’s the noise music makes that really interests me.
What do you consider to be your first high-end system?
After college I saved for a little JVC receiver and a turntable from JC Penney, but the crowning jewel was my pair of Acoustic Research AR-18 bookshelves. I went to the shop down the street once a week for three months to listen to them. It was a great start to the journey. There was something very satisfying about putting together the best system I could afford at the time, and I’ve never forgotten the feeling I had the first time I listened to my humble little system.
What kind of education did you receive?
I started school doing audio engineering, and finished my schooling on the 10-year night-school plan in electronics engineering and computer-hardware design.
What differentiates high-end audio from other forms of audio?
The experience. You have to be looking for the emotion and passion only music can provide in order to really “get” high-end audio, whether you approach it from a passion for the art or the science. Music is not a passive experience—you have to be engaged with it even if you’re simply sitting in your living room—so the greater the detail in the performance or the playback, the greater the passion and emotion in your heart and soul.
KEF is placing increasing emphasis on wireless/active loudspeakers. Is this where the industry is going?
Because streaming is the future of music and because the available technology makes super-high-performing active systems affordable, there is a definite trend in that direction. But systems made of separates are always going to have a place in the market.
What interesting fact, philosophy, or aspect about KEF might surprise audiophiles?
The level of engineering we do to make our speakers. We attack our design process from the physics level, with a ground-up approach for every product line. It’s the principle the company was founded on, and we’re privileged to still be able to work that way today.
Looking in your crystal ball, where do you see the high end in the next 10 years?
I think we’re entering a new audio renaissance, so I believe more people will come to appreciate high end. The first 15 years of this century were kind of a low point in music appreciation because we were all so fascinated with convenience over quality, but I think we’re beginning to see that was all just a fad. Whether its food, wine, or music, people crave the best possible sensory experience they can get their hands on, and technology has made it possible for music lovers and audiophiles to get amazing audio reproduction that is also convenient beyond anything we thought possible even ten years ago.
What challenges are the high-end industry facing?
Technology is changing at such a rapid rate that it’s hard to know what will be expected of a product in even three or four years’ time. Couple this with the fact that the digital infrastructure on the consumer and provider’s ends are stressed to saturation, and you’ve got challenges that were unheard of until recently. Right now, bandwidth is the biggest tech hurdle, and re-introducing consumers to music that sounds great is the biggest market challenge.
Outside of audio, what do you do for fun?
I ride motorcycles (I’m currently on an Indian), and I’m trying my hand at gentleman farming, but I never really find myself very far from music or audio in some fashion. That’s what’s fun about riding (or cutting hay)—I go without a radio or sound system and just connect with the machine and the surroundings. It’s very liberating and relaxing.
What inspires you about your work?
Sound. Followed by music. I’m extremely privileged to work in an industry and for a company that shares my same passion. It makes it very easy to get up and go to work in the morning. I started fooling around with speakers when I was 14, and after a few career detours here and there it’s amazing to be right back where my passion has always been.
Original Resource is Articles – The Absolute Sound