Tag Archives: ProTools

Hi-Fi: Why Do Records Sound Better? | The Ivory Tower

Into The Groove Why do a lot of us audiophiles (and casual listener types) prefer the sound of records over the same music released digitally? Is it something about the inferiority of digital? Are vinyl records, without those sacrilegious anti-aliasing filters and stair-step samples, somehow higher in resolution? Or is it simply the much-heralded warmth of vinyl? Some would say digital is superior without the surface noise, side length limitations, and inner groove distortion. So what’s the point of putting digital mixes on an analog record? Records should be cut from an analog master, right? I’m not talking about the ritual of owning and playing records. Putting aside the factors of having a tangible object that requires more care and intention, along with the fun of combing bins for used treasures and everything else that goes with being a record collector, let’s explore the sonics and what’s responsible for that warm and fuzzy feeling we often get when having a platter party. Words and Photos by Dave McNair Everyone hears things differently. Folks have different tastes for what lights up that pleasure center in our brains. It’s a subject I talk about a lot with my audiophile friends, especially the [...]

Original Resource is Part-Time Audiophile

Doshi Audio EVO Series Tape Head Preamplifier | Review

I had a fantastic time putting the most excellent Doshi Audio Tape Head Preamplifier through its paces. This latest version, labeled the EVO series, has some improvements over the previous Tape Head Preamplifier 3.0 series, but permit me to reminisce a bit first… A Long Time Ago In A Recording Studio Far, Far Away Sitting behind an enormous API console as I peered through the glass to watch the musicians in the tracking room, I heard the last bit of decay from the final chord and cymbal crash fade to silence. I hit stop, then the rewind button on the MCI JH-110 2” 24 track machine. I mashed the talkback button and asked the band to come in and hear the take. When all were gathered in the control room, I hit play. It was a big sonic letdown. In different situations, the disappointment was sometimes extreme, sometimes minimal and on a few very special occasions, I felt the playback actually had an enhanced quality. But it was NEVER the same as the input. Sure, the music and performances were many times excellent and captivating, but why wouldn’t the tape deck serve up all that goodness that I heard going to the [...]

Original Resource is Part-Time Audiophile