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German Rap Producer Juh-Dee Outfits New Studio

German Rap Producer Juh-Dee
German Rap Producer Juh-Dee

Natick, MA (March 5, 2021)—Having reached the top of the charts numerous times in 2020 working with various German rap stars, platinum-certified composer and producer Juh-Dee has opened a well-appointed studio in Duisburg, Germany.

Juh-Dee, who started DJing at parties as a youngster, soon started making music himself, which brought him into the orbit of emerging German rap stars, including Farid Bang, Manuellsen, KC Rebell and Summer Cem. “The first time I made it to number one with a single was actually in 2020. That was with the song ‘90-60-111’ from Shirin David, and that was a great feeling,” he says. “Then with Apache, we were three weeks at number one, and that song was replaced at number one by another Apache song that we produced. And the next tune after that also went straight to the top spot.”

Tools for the Personal Studio 2021

His preference for studio monitoring has always been large, wall-mounted main monitors, so his new facility sports Genelec 1234 Smart Active Monitors. “In a great studio, there has to be speakers in the wall,” Juh-Dee insists. “I did my first mixes here and I was really surprised at how ‘real’ the 1234s sound, even at high volume. Having heard my first mixes, I realized what made the difference. You can hear clearly the whole frequency spectrum and the tweeters are really nice! They don’t bite; they are really honest. That was important for me.”

The 1234s are complemented by a 7370 subwoofer. “I usually use the subwoofer when I’m working on deep 808s, for example, so I can really hear the whole spectrum down to 20 Hz and I can absolutely hear if they sound okay, or if there’s any strange frequencies going on,” he says.

But while Juh-Dee loves the high-SPL energy of his main monitoring system, his 8331 coaxial three-way nearfields from Genelec’s The Ones series allow him to dial things down when he needs to. “I use The Ones to double-check things at a lower volume, so when I don’t need the full blast of the big 1234s, they are really good for details.

“Also, when I’m mixing for too long with too much volume, I use the 8331s — and I can also easily control them using Genelec’s GLM software. It’s super-easy to quickly dial-in changes, tweak the frequency response, change the volume, and do adjustments.”

Genelec • www.genelec.com

Original Resource is ProSoundNetwork.com