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Tag Archives: Dallas Taylor

Ambie Awards Honor Podcast Audio Production

Defacto Sound’s Casey Emmerling (left) accepted Twenty Thousand Hertz’s Ambie award for Best Production and Sound Design, while Double Elvis Productions’ Jake Brennan (right) took home Disgraceland’s award for Best Original Score and Music Supervision last night at The Podcast Academy's Third Annual Awards for Excellence in Audio. Photos: Denise Truscello/Getty Images for The Podcast Academy / The Ambies
Defacto Sound’s Casey Emmerling (left) accepted Twenty Thousand Hertz’s Ambie award for Best Production and Sound Design, whereas Double Elvis Productions’ Jake Brennan (proper) took house Disgraceland’s award for Best Original Score and Music Supervision final night time at The Podcast Academy’s Third Annual Awards for Excellence in Audio. Photos: Denise Truscello/Getty Images for The Podcast Academy / The Ambies

Las Vegas, NV (March 8, 2023)—Hot on the heels of final week’s information that podcast listening has reached record-breaking heights after a startling 2022 post-pandemic drop, the third-annual Ambie Awards have been held final night time in Las Vegas. The occasion, introduced by The Podcast Academy, honors “excellence in podcasting and elevate consciousness and standing of podcasts as a singular and private medium for leisure, data, storytelling and expression.”

New York’s Defacto Sound’s long-running Twenty Thousand Hertz podcast received the Best Production and Sound Design Award. Meanwhile, Jake Brennan, Matt Beaudoin, Ryan Spraker and Bryce Kanzer of Boston-based Double Elvis Productions took house the Best Original Score and Music Supervision trophy for his or her work on Disgraceland.

While the overwhelming majority of the 26 award classes give attention to style—Best Comedy Podcast and so forth—solely a handful give attention to precise podcast manufacturing, highlighting writing (fiction and nonfiction) and reporting in addition to the 2 audio-related awards for unique rating/music supervision and manufacturing/sound design.

Twenty Thousand Hertz host Dallas Taylor uses the stories behind famous sounds to take a deeper look at what sound is and means in the modern world. Photo: Natalie Shields
Twenty Thousand Hertz host Dallas Taylor makes use of the tales behind well-known sounds to take a deeper take a look at what sound is and means within the trendy world. Photo: Natalie Shields

Created by Defacto Sound—a sound design home that has labored with Tesla, HBO, Discovery and lots of extra—Twenty Thousand Hertz is a podcast centered on the histories of modern-day sounds and the way we expertise them. Hosted by Defacto’s artistic director Dallas Taylor, the present appears to be like at every thing from the origins of the Netflix “Ta-Dum” and Seinfeld’s signature slap-bass riffs, to extra technical matters just like the Loudness Wars and the way NASA communicates with astronauts.

Interviewed for Pro Sound News in 2020, Taylor defined the present’s ethos, noting, “I needed to make one thing that began to carry the enjoyment to sound itself, virtually like a chef’s desk really feel, however for sound, to hopefully get tradition extra in tune and extra aware about their sense of listening to.”

He added that educating the general public about sound and audio advantages each medium, from podcasting to movie, as he defined, “If the business itself—the place we solely have visuals and sounds—nonetheless has a tough time figuring out sound as a very artistic storytelling instrument, then I believe the remainder of the world in all probability nonetheless has a tough time with this.”

Berklee assistant professor of music production/engineering by day, podcast producer by night, Matthew Beaudoin was one of the winners last night for Disgraceland. Photo: Double Elvis Productions
Berklee assistant professor of music manufacturing/engineering by day, podcast producer by night time, Matthew Beaudoin was one of many winners final night time for Disgraceland. Photo: Double Elvis Productions

Winning the Ambie for Best Original Score and Music Supervision was Double Elvis Productions’ podcast Disgraceland, a long-running true-crime present that appears on the dramatic, typically troubled pasts of musical icons like Led Zeppelin, Sid Vicious, Mac Miller, Chris Brown and others. As the present’s senior producer Matthew Beaudoin instructed Pro Sound News in 2020, “[We are] very a lot centered on, ‘How can we get music to help this narrative that we’re telling? How can we get the music to work in live performance to help that narrative, and make the expertise as immersive as attainable?’”

Podcasting Pros Ready for Pro Audio & Radio Tech Summit

podcast panelNew York, NY (March 17, 2021)—A panel of top podcasting professionals will share their insights and knowledge at the upcoming Pro Audio & Radio Tech Summit on April 1. Produced jointly by Mix magazine, Pro Sound News and Radio World, the event is a free one-day virtual trade show where radio and pro audio professionals can learn about new products and technology and network with colleagues and manufacturers.

Podcasts have exploded in popularity over the last five years, inspiring millions of people to start their own shows, in part due to the low cost of entry-level audio gear. In reality, however, the DIY days of podcasting are long gone; today, audio quality is a crucial factor in building and keeping your audience. In the kickoff panel, Podcasting: ‘Good Enough’ Audio Is Not Good Enough, Chris Crump of Comrex Corporation, Fela Davis of One of One Productions, Dallas Taylor of the hit podcast Twenty Thousand Hertz, and Frank Verderosa of Digital Arts NY, will share their insights and real-world experiences, discussing superior audio tools, developing and applying best practices, and more.

Registration for the free event is open.

Chris Crump has served as the Sr. Director of Sales & Marketing for Comrex since 2004. In 1987, he began his professional radio career at ABC/Cap Cities Detroit before taking the Features Editor position at MediaBase Research/Monday Morning Replay. On-air, remote broadcast engineer, Creative Services Director roles followed for Capitol Broadcasting (subsequently Paxson Communications) in Orlando and the Ron & Ron Radio Network in Tampa/St. Petersburg. In 1996, Crump moved to the manufacturing side of the broadcast business performing sales & marketing roles for Spectral, Inc., Euphonix, Symetrix and Klotz Digital America. Crump resides in Buford, Georgia (outside of Atlanta) with his wife Seval, 15 year-old daughter Zara and their Affenpinscher Olive. He is a CBNE certified member of SBE Chapter 5 in Atlanta as well an Assistant Scoutmaster with Troops 597 and 5597 in Dacula, GA.

Fela Davis is a graduate of Full Sail University with 20 years of experience in audio engineering and inducted into the University’s Hall of Fame in 2020. Her live mixing experience includes Ron Carter, Brian Blade, Jose Feliciano, Meshell Ndegeocello, and Bilal. She is front of house engineer for six-time Grammy Award winner Christian McBride, mixing sold-out shows across Asia, Europe, Canada, and America. Fela records, mixes, and edits at her One of One Productions Studio located 5 minutes from NYC in Fort Lee, NJ. The One of One Productions studio also specializes in podcast recordings for top 200 Apple Podcasts like Holding Court with Eboni K. Williams and The Art of Music Tech Podcast that she hosts with her business partner, Dennis. The Art of Music Tech Podcast highlights the latest in audio gear, mixing techniques, and interviews with top audio engineers, musicians, and producers (Leslie Ann Jones, Jeff Bova, Jett Galindo, Patrick Smith) about their journey in audio. It’s also featured with many of her writings for Pro Sound News Magazine & Podcast Pro Newsletters.

Dallas Taylor is the host and creator of Twenty Thousand Hertz, a lovingly crafted podcast revealing the stories behind the world’s most recognizable and interesting sounds. Dallas is also the Creative Director of Defacto Sound, where he has led thousands of high-profile projects ranging from blockbuster trailers and advertising campaigns to Sundance award-winning films and major television series. Dallas is a sought-after speaker at conferences, a regular contributor to major publications, and a respected thought leader on the narrative power of sound.

Frank Verderosa (www.frankverderosa.com) is a 30-year veteran of the New York audio industry, fighting the good fight for film studios, ad agencies and production companies, but secretly loves mixing music most of all. These days, he plies his trade at Digital Arts in NYC, but he has additionally taught hundreds of voice-over artists how to record professionally while at home during the pandemic, and is also a longtime engineer for a number of high-profile podcasts.

The Pro Audio & Radio Tech Summit will also feature a virtual exhibition floor, live chat and a separate track of presentations showcasing technologies and trends in pro audio.

Registration for the free event is open.

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